Nanu (Abhay Deol) is this fatal land mafia who gets associated with a street mishap in which Siddhi (Patralekhaa) gets critical. Going about as a decent person, Nanu takes her to the doctor’s facility and keeping in mind that in the path Siddhi in a grave condition succumbs to him. She bites the dust on achieving the healing centre abandoning her father in a profound stun. Her father(Rajesh Sharma) declines to trust the demise of her little girl as he keeps her dead body in place in an ice lid.This doesn’t run well with the soul of Siddhi as it returns and chases Nanu in his home. Nanu, being human, gets frightened of the phantom and tries to dispose of her in each conceivable way. He likewise tries to influence his loved ones to trust that his level is spooky. This goes ahead until the point when Siddhi chooses to come before the general population and what occurs straightaway, kindly don’t attempt to watch.
The film is adjusted from a Tamil film, Pisasu. Manu Rishi Chadha has clearly adjusted the content of Pisasu for this one. There’s a scene in the film in which Nanu’s mom (Himani Shivpuri) watches a motion picture and when Nanu asks her how was the film she answers “Bahut bakwas!”; I figure she was discussing this movie.Including a sensational father, a phantom that becomes hopelessly enamoured with the person, the person who feels it’s alright to go gaga for an apparition and purchases cappuccino for her; there’s considerably more to this consistently unsound movie.I know one ought to search for rationale in such motion pictures and these are implied for the sole motivation behind amusement. In any case, after a state of time the unreasonableness swings to being idiotic and after that it winds up anomalous. The whole essence of the story comes down to “Please wear a protective cap while driving” and I wish the producers should’ve given such notice before influencing us to watch such film.
Abhay Deol, Bollywood needs performing artists like you however not in such movies. Either complete 5-6 films per year, at that point we can take one Nanu Ki Jaanu, however, completing one film like this in a few years is a disrespect. Patralekhaa is absolutely missing from the film and has pretty much 10-15 minutes on the part. Producers, to decrease cost, could have dealt with her part with the comparative VFX they improved the situation her spirit.Manu Rishi Chadha, the essayist of the film, turns out with the clever scenes of the film. Assuming the part of to-jaanta-Nahi-hai-primary Kaun-hoon sort of fellow, he’s the main fortunate thing about the film. Rajesh Sharma’s character has been penned with the ink of authors who plan the parts of everyday cleanser bahus.
The generation estimations of the film are great but since the story is so unusual so nothing truly sparkles out. Faraz Haider once more neglects to convey fun after Sharman Joshi and Jaaved Jaaferi’s War Chhod Na Yaar. The motion picture doesn’t exceed expectations even in any one class, from dramatization to satire to awfulness; creators attempt excessively, ruining everything.It has an adoration tune, a gathering tune, a jagrata melody, a pitiful tune and I can’t recollect a line from any of those tunes. The foundation score of the film is tolerable however is superior to the tunes.
All said and done, there are great movies, there are awful movies, there is MSG establishment and afterwards, there’s this. It damages to see an ability of such unrivalled level going down the deplete. Skirt this, please!Time wastage of gifts like Abhay Deol, Manu Rishi Chadha and Rajesh Sharma behind a venture this way; we merit something like Oye Lucky Oye.
My Rating 1.5/5